The little friends are holding the Spring Festival Evening every year, and the mentality of watching the Spring Festival Evening starts to sneak out. The official CCTV Spring Festival Gala in 2014 even reached 2.7 million fan groups, and went in and saw it from 14 to 13 and 12 years. The details of the Spring Festival Evening are arranged in order. There is a lot of entertainment spirit waiting for you to vomit, but fortunately, Feng Guide is a master who is not afraid of swearing, so even the team members who participated in the Spring Festival Evening said that everyone is used to watching TV while arranging, hoping to organize the audience to the designated platform. Come to spit. The more interesting phenomenon is that in addition to the spit on the content of the program, most people discuss more and show the stage lighting effects of the Spring Festival Evening each year.
From the stage of the Spring Festival Evening in 2011, 2012 and 2013, we can see that the stage lighting of the Spring Festival Evening in the past year has become more and more eye-catching. When you look at the stage of the Spring Festival Evening in 2000 and the current stage, you will find the progress of science and technology. So fast. The 2000 Spring Festival Evening stage is just like the smog of today's magic capital. The little friends are watching the Spring Festival Evening at home and can't wait to wipe the TV screen several times. In contrast, the Spring Festival Evening stage uses HD LED multimedia display screen. , scenes, both in appearance and color visual effects are more abundant.
As a high-tech, LED is officially used as a beauty element in the Spring Festival Evening. In 2005, the first year of the Spring Festival Gala with the theme of “Shengshida United†invited high-tech LED color screens and robots to the scene to create the Spring Festival Evening. The marriage is a precedent for high technology. But the peak of LED technology used in stage lighting technology is the 2012 Spring Festival Evening. According to the media, this year's Spring Festival Evening spent 150 million yuan on the stage art design alone, multi-dimensional installation of LED display , LED splicing screen, large-scale engineering projection, water mist, smoke and other large-scale display system Holograms to show the entire stage effect design. It can be seen that the front-end high-tech lighting products and design concepts play an important role in the lighting of the stage lighting.
The successful use of the LED display has strengthened the determination of the Spring Festival Evening organizers to make further bold attempts. Regarding the attitude of the Spring Festival Evening, whether you are habitual or habitual, it is there, not moving. If you hate the 30th year of the game, the wine bureau, and don't want the elders to be pulled to ask this question, Spring Festival Evening is really a good pastime, at least you don't have to go to see the worse local TV.
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Stage lighting is also called "stage lighting" and is one of the means of stage art modeling. Using stage lighting equipment (such as lighting fixtures, slides, control systems, etc.) and technical means, with the development of the plot, show the environment with light color and its changes, render the atmosphere, highlight the central figure, create a sense of stage space, time, and shape The external image of the stage performance and provide the necessary lighting effects (such as wind, rain, clouds, water, lightning).
Stage lighting is an important part of the performance space. It is based on the development of the plot to carry out a full-scale visual environment lighting design for the characters and the specific scenes required, and aims to reproduce the artistic creation of the design intent to the audience in a visually visual manner. The spatial shape of characters and plots should be considered comprehensively and systematically, and the rules of styling should be strictly followed and good methods should be used.
With the development of science and technology and the advancement of LED lighting technology, the use of more intelligent and vivid stage LED lighting effects has enabled the modern stage to develop rapidly in terms of color and situation, enabling us to enjoy more pleasing audio-visual viewing. feast.
History of Chinese stage lighting development
Early dramas have had an open-air or semi-open-air performance history, all using daylight as a light source. But as the venue moved into the room or at night, it began to appear.
According to the written records, after 1102, the Liangzhu of the Northern Song Dynasty in China performed "Hundred Plays" on the Lantern Festival. The platform was used as a stage for the downstairs, and there was a light ball on each side of the platform. Zhang Yu, internal combustion candle, this is the beginning of China's artificial light source.
After the Song Dynasty in China, artificial lighting was used on the stage. In the Qing Dynasty, Zhang Wei’s "Tao Yu Meng Yi" had written records, and the lanterns began in the Song Dynasty. Liu Huiji used lighting changes during the performance of "Tang Ming Huang You Yue Palace".
In the late Qing Dynasty, Gongzhong and the folks were performing "lights and lanterns". In the tenth year of Guangxu (1884), when Cixi was born, 448 branches of candles were used for a performance, and the folk performance "The Cowherd and the Weaver Girl" also used many magpie lights.
After the Revolution of 1911, Chinese theaters generally used gas or electric lighting. From the time when Shanghai staged "Roar, China!" in 1933, the stage spotlight projection system was established on the Chinese stage. After 1954, a number of theaters in line with international standards were established, and China's own stage lighting series was introduced and established, and China's unique slide show performance art was developed.
History of the development of world stage lighting
16th century - 16th century Europe, if performing outdoors at night, use a resin-impregnated rope to make a xenon lamp as a light source. During the fifteenth to sixteenth centuries, Italian setters conducted experiments on shade lighting.
In the 17th century - the early 17th century, the Italians did various experiments to control the dim light during the performance. In the French classical performances, I also tried to show how to change the time of day and night.
Since the 18th century - the 18th century, it has become customary to extinguish the audience floor lights and only the stage lighting during the performance. When the Dresden Theatre performed the opera "Yeo" in 1755, there were as many as 8,000 candles lit on the stage.
Since the 19th century - the 19th century, the light source has changed rapidly. In 1808, the London Lanxin Theater first used gas lamps. Because the gas lamp can be uniformly controlled by the pipeline and can be promoted with light and dark changes. The British H. Drammont invented the lime lamp, which produces a light color similar to daylight or moonlight on the stage. In 1870, the United Kingdom used a lime lamp as a chasing light, and then painted it on a glass cover of a lime lamp to obtain a chromatic effect. In 1846, the Paris Opera House used the arc light source for the first time, and then used the arc light to create a color silk filter and created a stage image with five consecutive light changes to represent the whole process from sunset to sunrise.
In the 20th century - the beginning of the 20th century, after the advent of the tungsten light bulb, it provided a spotlight for the stage, and provided favorable conditions for expressing the stage space and creating the stage atmosphere. The invention of the dimmer, the unified management of the lighting system, and the use of color filters have enhanced the expressive power of the stage lighting. In 1920, the Italian M. Foltuny designed a soft light reflection system that uses the arc light reflected from the silk to simulate the natural light color to express the illusion of the sky.
At the beginning of the 20th century, the Swiss stage artist A. Apeia and the British director and stage artist Gordon Gray proposed the theory of lighting art modeling, which required the light to express the visual sculptural sense, the sense of music and the sense of movement and rhythm in the stage space. . Practice has proved that it has opened up a vast world for lighting art. In modernist performances, futurist and expressionist performances pay attention to the role of stage lighting. Such as the use of flashing lights to create a turbulent stage atmosphere; to replace the closing with cut light, to create montage scenes on the stage.
In the 1920s, German director E. Piscata first used the film technique on the stage. In the 1950s, Czechoslovakian stage artist J. Svoboda created multi-screen, multi-level and multi-angle projection technology and different lighting shaping techniques, which enriched the modeling language of stage lighting and promoted the further development of lighting art. development of.
In the 21st century, high-tech LEDs shine in the field of stage lighting. Many state-level theaters or TV stations have introduced high-tech stage lighting systems, from LED stage lights to LED electronic displays, through a full range of intelligent control systems. The elaborate packaging of each detail makes the whole stage enveloped in a magical ocean of light and shadow. The light and shadow interlaced and the color changes make the people who are close to them enjoy the audio-visual feast.
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